disgruntled_owl: annoyed owl (Default)
As of April 21, I’ve written up 10 stories for my Short Story 100 project, putting me at 10 percent of the project goal. For more info about the Short Story 100, check out this post. 

It’s been fun to scavenge for short stories to read. I’m opening up long-untouched collections on my home bookshelves, exploring new sections of the library, and getting cool recommendations from friends (thanks, 
[personal profile] bironic !). I had a rough idea of where short stories were published before embarking on this project, but it’s been instructive to see where specific stories appeared for the first time, whether in print or online magazines or as part of author collections or anthologies. My “25 or more works written in 2000 or later” rule has given me a welcome shove outside of my classics comfort zone, and I’m discovering new authors that I enjoy, including both Caitlín Kiernan and Raymond Carver. 

Thus far, I’d say my accompanying writing exercise for each story has been fruitful. I typically set a timer for 20 minutes or so and try to get through writing the synopsis, the logline, and other notes about things that occurred to me regarding structure, characterization, etcetera. While a complex story can take me more time to write up, I limit the amount of time I spend writing about each one so this overall project doesn’t become too overwhelming. Producing the synopsis takes up the lion's share of that 20-25 minutes, but this work sets me up to create the logline, which is the trickiest but also the most useful part of the exercise. My current challenge is trying to get ideas for short stories, so it helps to capture in one sentence what other people felt compelled to write about. I also appreciate the practice for when I need to write loglines for my own stories. Strong loglines make for good AO3 summaries, and when I write them in the middle of a project that’s lost its way, I can usually get myself back on track. 

Based on the stories I’ve read so far, one trend has emerged: short stories are weird, man. At least these were. If they were pieces of music, they’d all be in a minor key. Even when they close on a hopeful note, their sense of uncertainty is what lingers in my mind. I suppose that as I keep reading, I'll learn whether this is a feature of the the stories I'm drawn to, or a more common feature across the board. 
 
 
disgruntled_owl: annoyed owl (Default)
The Idea:

Read 100 short stories between April 1, 2019 and July 31, 2019 to learn more about how to create compelling characters and plots in a limited number of words. 

Where It Came From:

In the book Memo from the Story Department, director and film professor David McKenna suggests a self education program for screenwriters, which includes an activity he calls “A Hundred Plays in a Hundred Days." He instructs writing students to read 100 screenplays over the course of three to four months and record a log line and a synopsis for each one. By doing this exercise, a novice screenwriter would read the types of work she hoped to master, and she would learn about what makes them work through such focused reading. He closes the description of this exercise with this alluring line:

“Like any workout routine, it only takes effect if you do it regularly. But if you do the work every day, you will transform yourself into something you have never been before, I promise.”

For my pleasure reading I primarily turn to novels instead of short stories, but pretty much everything I write (and finish, anyway) is a short story. I read a lot about different writing techniques through my Craft on my Commute project, but it can be challenging to practice them at the scale of a novel. And while I intend to keep writing fic, I’d like to produce more original work as well, and short stories are where I’m likely to have initial success. There are several structural and character building questions about short stories to which I’d like to find answers, such as 

  • What kinds of plots work at the short story scale? How much time do they cover? How complex do they tend to be? What kind of subplots are involved?
  • How much do characters grow and change in short stories? 

Hence, the adaptation: the Short Story 100. 

Ground Rules: 

1. I can read a maximum of two stories written by the same author. (If I want to read more, I can’t count them toward my total.)  
2. At least 25 stories I read must have been published in 2000 or later. (Otherwise I’d just be giving myself a crash course in ghost stories and Gothic horror fiction.) 
3. The stories I read must be at least 1,000 words long.
The Process: 

1. Read a story!
2. Record the story’s title, author, publication year, and an estimated word count.
3. Write a log line and synopsis for the story.
4. Record relevant notes about plot structure, character development, theme, or other topics. which may be in response to prompt questions. I'm finding some of these in the DIY MFA book.
5. Lather, rinse, repeat. 

What’s Next:

On April 1, I plan to get things started. I have a blank notebook ready, and a bunch of anthologies I can use to find my first set of stories. Help me get off the ground here, friends: do you have favorite short stories that I should read? 
 

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