disgruntled_owl: annoyed owl (Default)
I’m a few weeks behind on Fannish Friday because I’ve been traveling. Still, I’m going to devote this week to one thing: my love for the movie Logan Lucky (2017) (which happens to be what I watched on the plane).
 
Now, I like this movie’s forerunner, Steven Soderbergh’s 2001 remake of Ocean’s 11. The cinematography is glossy and gorgeous, the music chill, the protagonists witty and charming. One gets a brief glimpse of the main characters’ motives—Danny trying to win back his lost love, Rusty slaking his boredom, Saul completing his one last job—and one wants them to succeed because they’re clever and casinos are sleazy businesses. Still, Ocean’s 11’s pleasant, Prosecco-like fizz dissolves as quickly as the group disperses the end of the film. 
 
Logan Lucky takes the fun of the heist formula and gives it stakes and emotional resonance, which is why I couldn't stop thinking about it once it ended. The cast is much smaller, concentrating on the "cursed" Logan family, which gives it a mythos. Jimmy (Channing Tatum) is a recently-laid off construction worker whose dreams of football stardom were dashed by a leg injury. Jimmy’s a loving, attentive dad, and fears losing time with his daughter Sadie once his ex-wife and her second husband move from West Virginia to North Carolina. (It seems his prior criminal conviction from a failed bank robbery would prevent him from crossing state lines to see Sadie.) He needs cash to pay a lawyer to make sure he can still see her. Jimmy’s brother Clyde (Adam Driver) wound up in juvenile detention for participating in his brother's robbery attempt and later lost most of his arm fighting in Iraq. Clyde’s hobby is tracking down legends of the Logan family curse, which doesn’t seem difficult as most local folks seem quick to remind them of their family’s misfortunes. All of this—their financial woes, their tarnished family reputation, Jimmy’s fear of being separated from Sadie—drive the need for the robbery, for which Jimmy targets the Charlotte Motor Speedway. They’re joined by their sister Mellie, a hairdresser/speed demon who seems to have escaped the Logan family curse, and another trio of ne’er-do-well siblings led by the explosives expert criminal Joe Bang (Daniel Craig). 
 
The heist itself is quite fun, and Soderbergh and the writing team put twists on the Oceans 11 sequence of events to build toward the robbery. While Danny Ocean projects fancy blueprints, Jimmy cobbles together a model of the underground parts of the racetrack using old pizza boxes and toilet paper tubes. While Danny Ocean and his crew construct a replica vault and dazzle their way into the Bellagio with Saul's Eastern European aristocrat act, Joe Bang stages a prison riot to escape for the robbery and cobbles together explosives with gummy bears, bleach pens, and fake salt. Ocean and his gang plan to rob the three Vegas casinos on the night when they’ll have their maximum cash holdings, the Logan's pick a middling day when their robbery might go unnoticed, but then their plans are up-ended and they must rob the racetrack during the biggest race of the year. 

Logan Lucky really distinguishes itself from Ocean's 11 in the heart it shows, particularly in the second act. Jimmy races from the raceway robbery to see Sadie perform at a pageant. When she unexpectedly sings "Take Me Home, Country Roads," his favorite song, he seems to have a crisis of conscience about all that he's stolen, which is something the audience never sees the Ocean's cast contend with. The next day, the news reports show a truck with a flatbed full of money abandoned at a convenience store, presumed from the raceway robbery, earning the heist the moniker "Oceans 7-11." The bonds between Jimmy and his siblings—who have been fiercely protective of one another through the whole film—threaten to unravel at this betrayal. This new challenge gives the film its staying power, and makes the dénouement that much sweeter. The film ends with a bit of open-ended tension, which creates opportunities for a sequel. I have mixed feelings about that possibility; while it would be fun to spend more time with the Logans, I would hate to see these characters and their world become a gimmick. 
disgruntled_owl: annoyed owl (Default)
 Fannish thoughts and experiences this week:

1. On the classic horror front, I checked out The Wicker Man (1973), and found it really interesting. (I can call the 70s classic now, right?) In the film, a devoutly Christian police officer, Sgt. Howie, investigates a report of a missing girl on a remote island off the Scottish coast. The islanders, who are friendly and otherwise modern, are pagans. Their practices and their confounding information about the missing girl bewilder Howie, who grows increasingly hostile to the islanders but presses on with his investigation, which ends with a horrifying twist. The film does a great job using tension and misdirection to create its terrors. There's hardly any gore (which made it easier for me to watch). There is a fair bit of nudity and sexuality, but people who have sex in this movie get to survive!

I'm still chewing on how I feel about the depictions of paganism in this film. It drives the dark elements of the plot, and because we enter this world through Howie's perspective, it is alienating even before it is threatening. Still, its treatment is more nuanced than "Christianity good, paganism bad." The film presents things in a way that encourages the audience to take Howie's Christian worldview with a grain of salt. The islanders' lives are relatively modern, like Howie's, even while their beliefs are not. They accept Howie's scoffs and insults with good-natured equanimity. In their isolation, their outlook on the world seems to make sense. despite the sacrifices it demands.  

I've been on a scavenger hunt for Hot Fuzz (2007) references for years, and The Wicker Man contains some real gems. The "police officer investigates seemingly harmonious but creepy village" concept is a cornerstone influence for Hot Fuzz. Edward Woodward, who plays Howie, appears 35 years later in Hot Fuzz as neighborhood watch leader Tom Weaver. The Hot Fuzz team's choice to make Woodward's character a villainous pillar of the creepy village was a deft touch, though both Howie and Tom Weaver have death by immolation in common.

Christopher Lee also stars in The Wicker Man as Lord Summerisle, local leader and grandson of the agronomist who founded the island's society. I'm so used to seeing Lee preen, scowl, and flash fang that watching him play a cheerful, relaxed antagonist was really jarring. I actually got to see him smile, and he is quite handsome when he smiles, regardless of his ridiculous wigs. Supposedly he offered the part of Howie to Peter Cushing, who couldn't play the role because of a scheduling conflict. While Cushing-Lee team ups are usually wonderful, I have a hard time imagining Cushing playing Howie as boorish or as guileless as that character needed to be. 


 

2. Today, August 11, is the anniversary of Peter Cushing's death in 1994. I've encountered moving memorabilia on Tumblr and Facebook today. I found myself gravitating to Youtube videos of him and Christopher Lee joking around with one another, both in the 70s and just before Cushing died. These are my pick-me-ups when I am feeling blue, but they are bittersweet today. I grow ever more impressed by Cushing as I watch more of his movies, but I feel ever more connected to him by reading books about him, like David Miller's Peter Cushing: A Life in Film. While his talent was astounding, he seemed to have characteristics that I do (dreaminess and sensitivity) and struggles that I do (anxiety and perfectionism). He's a person I really wish I could have met when he was alive, but I am grateful to all the fan websites and accounts that share photos, stories, and memories about him. Here's to a great man.



 3. The Venture Brothers is back! It's been...a while, though Jackson Public has good (albeit snarkily-delivered) reasons for the delay. Season 7 starts off with a horror episode, which to my relief brought the return of the Order of the Triad, including the wonderfully, irredeemably dorky Dr. Orpheus. I've read mixed reviews of the previous season, during which the plot grows more intricate and circuitous, but I found the Blue Morpho plot line gripping almost to the point of being painful, a sensation I don't get often from a TV show. This season's first episode ends with a main character tied to a chair, in the clutches of a mortal enemy, which made me gasp out loud (and that's not even getting into the "ghost in the machine" business in the other plot). Hopefully my fingernails don't look like hell by the time the season finally wraps up. 

4. Question for the audience: What's your favorite music to listen to when reading or writing science fiction?
disgruntled_owl: (what)
 In an effort to talk more about my fandom interests while celebrating alliteration, I meant to post this Fannish Friday content two days ago. But, it was hot and I had too many mashed potatoes with dinner Friday night, and then Saturday happened, and now here we are. 

1. I am trying to tweet (@disgruntledowl3)! And Tumble (thegrouchyowl)! I'm mostly lurking and hesitantly retweeting or reblogging, but baby steps. It's still hard to figure out what to write that doesn't feel like yelling about things I like off of a high precipice.

2. I've been devouring Star Wars content in an attempt to get myself to finish a Rogue One fic. Here are some things I've been checking out: 

Rebels: The later seasons of this show seem pretty interesting, but to get grounded for them, I'm starting at the beginning. So far, Ezra Bridger is...force-sensitive space Aladdin? The upbeat heroism and found-family elements remind me a lot of the 90s Aladdin TV show, which was one of my favorites growing up. I'm still getting a feel for the main characters; meanwhile, this series does not play coy with the tie-ins to the original Star Wars trilogy. The first few episodes feature the appearance of a rather moving holovid from Obi Wan, and it's not long before C3PO and R2D2 show up to do their thing. I'll see how this show goes, and how it stacks up to its lauded animated predecessor, The Clone Wars

Novels and Novelizations: I'm alternately reading Rebel Rising, a YA novel about Jyn Erso's childhood with and eventual abandonment by Saw Gerrera, and Tarkin, which is about Wilhuff Tarkin's rise to power and his relationship with Darth Vader. So far they're both...fine. In each book, the prose style leaves something to be desired—in Rebel Rising it is pretty heavy handedwhile Tarkin is weighed down with exposition, which in turn is chock-a-block with technical details. Still, both books hold enough promise to keep me going. I have found myself feeling glad to have read Luceno's (Tarkin author's) Catalyst, even though I was bothered by its style initially, because it gave me just enough emotional juice and content to inspire my Rogue One fics. Rebel Rising has a similar potential for emotional resonance, and Tarkin will give me more of a flavor for my beloved sharp-cheekboned villain. (Here's Peter Cushing being charming while talking about playing the Grand Moff.) 

References: My fic isn't getting done that quickly, but I've been having a lot of fun going down the research rabbit hole with tools like this cool Star Wars Galaxy Map and my detail rich Edge of the Empire RPG rulebook. My current obsession is with Gands, insectoids whose most famous members are shamanistic bounty hunters. Probably a fun thing to be aside from having to breathe ammonia. 

3. I've never seen Phantom of the Opera. Anybody have a film version that you'd recommend? I have Hammer's version starring Herbert Lom, as part of a Hammer DVD box set. I'll watch that version one way or another because I'm a Herbert Lom fan, but I'm curious what else is out there.

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